Major Themes With its complexity of characterization, sophisticated narrative structure, and controlled style, "Jim Smiley and His Jumping Frog" was the best work Twain had written to date, and marks a turning point in his development as an artist.
Some scholars have pointed out that there are actually several layers of stories within the framed story, and each successive tale in turn reveals the attitudes of characters toward each other: Critical analysis of the story has focused on many issues, but all recognize that the story marks a transition in Twain's development as a writer, and agree that the seeds of his later genius are clearly found in the sketch.
In December Twain published a revised version of the story in the Californian, and a further revised version was used as the title story in his collection, The Celebrated Jumping Frog of Calaveras Country, and Other Sketches.
Twain worked on two versions, but neither was satisfactory to him—neither got around to describing the jumping frog contest. He then published all three versions under the title "The Jumping Frog: Twain satirizes, not just old miners and western hicks, but the elite educated easterners who come out west and find their training useless.
Sidgwick still failed to acknowledge his use of the Twain tale. Beyond its technical cleverness, however, the popularity of the story lay in large part in the fact that Twain refrains from patronizing his unlettered inhabitants of Calaveras County.
I am also sure that its duplicate happened in Boeotia a couple of thousand years ago. So, Simon talks and talks and talks and talks about Jim Smiley.
Smiley may have been fooled this time, but he is usually the victor and is likely to rebound. Ten years after its initial publication, he wrote and published an elaboration of the story, called "The Jumping Frog in English, Then in French, Then Clawed Back into Civilized Language Once More by Patient, Unremunerated Toil," in response to a poor French translation of the tale and its accompanying unflattering assessment of his place in American letters.
Conclusion The narrator leaves the saloon. Since the stranger had no frog, Smiley went out to find him one.
The contrast between the story's main characters shows that the educated narrator looks like more of a fool than even Jim Smiley and his weighed down frog.
For three months, he does nothing but teach this frog how to jump higher and faster than any other frog.
Jim loves to gamble and will offer to bet on anything and everything, from horse races to dogfights, to the health of the local parson's wife. Critical Reception The immediate response to Twain's story was almost entirely positive, and the story was reprinted more than ten times in the decade following its appearance in the Saturday Press.
Simon Wheeler attempts to tell one more story, but the narrator escapes. His letter to A. At this point in the story, Simon excuses himself to go outside for a moment.
I am perfectly sure that it did. The style of the first paragraph of the letter has a kind of prim formality about it and the sophisticated facility of an educated writer barely able to suppress his grudging suspicion that he has been made the fool. Early discussions tended to stress the story's origins in Southwestern folklore and its relationship to the work of other Westerners writing in the same genre.
His letter to A. When he comes back, he tries to continue his tall tale but the narrator interrupts and says, not quite good-naturedly, that he needs to go. Twain satirizes, not just old miners and western hicks, but the elite educated easterners who come out west and find their training useless.
However, Twain was at first uncomfortable with the immediate reputation as a "western humorist" that the story conferred upon him, and dismissed it in an letter to his mother as a "villainous backwoods sketch.
Rather than stay to hear another pointless story, the narrator excuses himself and leaves. Conflict Smiley makes bets with an old horse and an old dog. This style of fastidious restraint continues, but when Wheeler begins to speak, the prose relaxes into a homey, genial vulgarity and sly wit which immediately establishes the old man as a master teller of tall tales.
Ward pressed him again, but by the time Twain devised a version he was willing to submit, that book was already nearing publication, so Ward sent it instead to The New York Saturday Presswhere it appeared in the November 18,edition as "Jim Smiley and His Jumping Frog".
At this point in the story, Simon excuses himself to go outside for a moment. This one-page guide includes a plot summary and brief analysis of The Celebrated Jumping Frog of Calaveras County by Mark Twain.
“The Celebrated Jumping Frog of Calaveras County” is a short story published in by Mark Twain. The narrator in "The Celebrated Jumping Frog of Calaveras County" is a loyal friend and good-sport character, who is never identified by name.
The Celebrated Jumping Frog of Calaveras County by Mark Twain. Home / Literature / The Celebrated Jumping Frog of Calaveras County / Analysis / Plot Analysis ; Analysis / Plot Analysis ; Smiley starts to educate a frog so that it can beat other frogs at jumping. One day, Smiley starts educating a frog that he names Dan’l Webster.
These papers were written primarily by students and provide critical analysis of The Notorious Jumping Frog of Calaveras County by Mark Twain. Storytelling in American Literature: "The Celebrated Jumping Frog of Calaveras County” by Mark Twain and “Daisy Miller: A Study” by Henry James as Patriotic Narratives.
Complete summary of Mark Twain's The Celebrated Jumping Frog of Calaveras County. eNotes plot summaries cover all the significant action of The Celebrated Jumping Frog of Calaveras County.
The Celebrated Jumping Frog of Calaveras County Questions and Answers. The Question and Answer section for The Celebrated Jumping Frog of Calaveras County is a great resource to ask questions, find answers, and discuss the novel.Plot analysis of the celebrated jumping frog of calaveras county by mark twain essay